Artist search / Primary sources / Web references

FOLLOW THE MARKS.

Charlie Buster’s online trail spans galleries, graffiti blogs, creator-run publications, fiction, digital collections and public profiles. This is a maintained source map—not a copied press roundup or a claim that every online statement is independently verified.

27Linked source entries
6Source categories
2017–26Catalogue to present
Catalogue / Original work

THE ARTWORK RECORD.

Public art listings can establish that a title, medium and date were published. An artist-authored profile or sales label is not an independently audited résumé or real-time inventory report.

Artist-managed marketplace profile

Charlie Buster — Saatchi Art profile

Profile joined 2017

The artist’s Saatchi profile, catalogue and public statement. A starting point for documented original paintings.

Visit the source ↗ Early works catalogue →
Artwork listing

ABC TWO HEADS

2018

A 40 × 40-inch original with named influences from Warhol and Basquiat.

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Artwork listing

MY RADIANT CHILD

2018

An original canvas referencing Warhol, Basquiat, Haring and Dalí; the original and print listings are different editions.

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Artwork listing

INNER THOUGHTS

2019

Abstract treatment of eyes and portraiture with an artist statement mentioning Basquiat and Remi Rough.

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Artwork listing

DROP THE BOMB

2019

A work on conflict and peace; the artist listing credits a collaboration with LU LU.

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Artwork listing

LET IT FLOW...

2019

Large-format painting, with the artist describing a US commission and influence from Pollock.

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Blog features / Interviews / Context

WHEN THE WEB WROTE ABOUT BUSTER.

These published articles provide identifiable commentary or an artist-group account. Their promotional phrases, exhibition claims or anecdotes are not treated as independently proven without separate primary records.

Third-party blog feature

UK street artist Charlie Buster — Your Daily Dose of Art

7 January 2023

Discusses his Graffiti Kings relationship, colourful character work, zigzags, double arrows and the label “Busterisms.” Specific location and global-recognition claims are the writer’s, not independently confirmed here.

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Artist-network feature

Street Artist BUSTER aka Charlie Buster — GKniftyHEADS

5 November 2025

Graffiti Kings-associated retrospective on the Leake Street Tunnel artwork, materials, motifs and artist social profiles.

Visit the source ↗ Our Leake Street feature →
Written material / Original voices

CHARLIE’S OWN WRITING.

Artist-authored creative writing and old project papers are relevant to his practice, but they serve different purposes. Fictional stories are not biographies. Project whitepapers are dated proposals, not proof of live token utility or guaranteed returns.

Creator publication

@IAmCharlieBuster — Medium

Artist writing account

A profile linking Charlie Buster’s public fiction, project writing and Web3 essays.

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Speculative-fiction novel

The Stencil Must Break…

14 June 2025

A graffiti mythpunk story involving memory, identity, a stencil and a fictionalised version of its artist. Not a real-world event record.

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Fiction / Extended lore

The Face in the Stencil — Chapter 1

13 June 2025

A fictional account of an OG stencil, a signal and a changing digital mythology.

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Fiction / Story

Daddy’s Little Princess

13 June 2025

A surreal story about the image of a princess, stencil culture and memory. Narrative content, not a factual artwork inventory.

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Historical project proposal

NoBallGames ($NBG) Token Whitepaper

4 October 2025

An artist-published tokenomics and utility proposal. Do not infer that projections, pools, token supply rules or rewards were deployed or remain current.

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Historical project paper

XRP KIDs Whitepaper V1.0 — No Ball Games Official

16 September 2025

An original Substack document on the 100-Genesis art project and proposed utility. Its claims about rewards and associated tokens require current contract and project verification.

Visit the source ↗ XRP KIDs fiction and context →
Social / Professional discovery

ACCOUNTS AND IDENTITIES.

These are discoverable artist and professional profiles. Instagram and TikTok URLs are linked from the GKniftyHEADS artist feature, but profile access and present account control were not independently verified during this audit.

Profile listing

Charlie Buster — LinkedIn

Professional profile

Public professional page identifying Graffiti Kings, creative work and Web3 interests.

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Social account link

@iamcharliebuster — Instagram

Referenced by GKniftyHEADS

Instagram account linked by the 2025 GKniftyHEADS artist article. Live profile content was not independently reviewed.

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Social account link

@iamcharliebuster — TikTok

Referenced by GKniftyHEADS

TikTok account linked by the GKniftyHEADS feature. Current ownership and content should be verified on-platform.

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Artist-directed site

Grime Artist

Artist website

The dedicated artist website and commission destination supplied in the NO BALL GAMES project record.

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Digital collections / Project documentation

THE DIGITAL TRAIL.

Public collection pages and wiki entries help locate the projects associated with Charlie. Marketplace descriptions, past token proposals and fictional lore are not substitutes for contract verification or current license terms.

NFT marketplace reference

NO BALL GAMES — WAX AtomicHub collection

Public collection record

Collection identifier “noballgamess” and asset catalogue history on WAX. Collection descriptions may be self-supplied and do not prove every utility claim.

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NFT marketplace reference

NO BALL GAMES — NFTHive collection

Public collection record

Another public listing of the WAX “noballgamess” collection, useful for comparing records and source metadata.

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Creator-group reference

Charlie Buster — Crypto Moonboys Wiki

Official project wiki

Separates Buster’s Graffiti Kings and NO BALL GAMES practice from the fictional Charlie characters in the Year 3008 universe.

Visit the source ↗ Crypto Moonboys on this site →
Creator-group reference

Crypto Moonboys — Project Wiki

Official project wiki

Context for Graffiti Kings, GKniftyHEADS, WAX art, identity routes and connected creative worlds.

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Related archive / Reciprocal links

THE GRAFFITI KINGS CONNECTION.

The connected Graffiti Kings wiki holds supplementary, source-labelled histories and project directories. These are project-maintained cross-references, not independent audits of biographies, token balances or future claims.

Project-maintained history

Charlie Buster — Grime Art and original artworks

Related archive

Links Charlie’s original paintings, Grime Art terminology and public artist sources, distinguishing catalogued works from promotional biography.

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Project-maintained source guide

NO BALL GAMES — WAX and XRP KIDs

Related archive

Separates the WAX $NBG token proposal, noballgamess NFT collection, XRPL assets and fictional 2035 story.

Visit the source ↗ XRP KIDs on this site →
Source-qualified project record

TREEF — linked regeneration concepts

Related archive

Records the public TREEF/Substack connection without claiming an operating engineering installation or verified ecological outcome.

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Curated source index

Charlie Buster — linked web, press and social directory

Related archive

Complementary cross-site directory of art catalogues, NO BALL GAMES pages, published fiction, markets and social profile leads.

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Historical source directory

Graffiti Kings — SER, commissions and press

Related archive

Connects the Graffiti Kings movement to interviews, exhibitions and independently published press with claim-level limitations.

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The difference matters

DOCUMENTATION IS NOT AUTOMATIC PROOF.

  • Catalogue record: useful for an artwork title, size, listed year and described medium. An artist’s listing can still contain self-reported history.
  • Third-party article: proves an article was published, but does not independently prove every exhibition, location or superlative mentioned.
  • Social or creator-written post: offers the creator’s public perspective; the page may change, disappear or become inaccessible.
  • Fiction: characters and events belong to the story, even when a real artist’s name is used.
  • Token whitepaper or marketplace description: a dated claim or proposal, not proof that rewards, licences, supply arrangements or resale values exist today.

Audit date: 13 November 2026. Sources are linked at their original URLs. This directory does not hotlink third-party artwork images or reproduce copyrighted articles.

THE CONNECTED SITE.

Follow the internal trail from source to subject and back again.

Verified artwork descriptions

Five original canvas records.

Detailed notes on ABC TWO HEADS, MY RADIANT CHILD, INNER THOUGHTS, DROP THE BOMB and LET IT FLOW.

Read the early-works catalogue →
The broader creator network

Graffiti Kings to Crypto Moonboys.

WAX, GKniftyHEADS, community culture and the distinction between the projects.

Explore Crypto Moonboys →
Project and fiction

NO BALL GAMES and XRP KIDs.

Current site narratives and project background, kept distinct from older token roadmaps and speculative fiction.

Explore XRP KIDs →
Missing a source?

HELP KEEP THE RECORD STRAIGHT.

For corrections, an original exhibition catalogue, a credited project photograph or a link to another article, contact NO BALL GAMES. New source additions should carry dates and distinguish documentation from promotion.